对比两种立体声录音技术:XY 与 ORTF
作者:Ash Burnett出处:https://www.shout4music.com/news/comparing-stereo-recording-techniques-xy-vs-ortf/译者:安小匠立体声录音技术在捕捉具有深度...
作者:Ash Burnett出处:https://www.shout4music.com/news/comparing-stereo-recording-techniques-xy-vs-ortf/译者:安小匠立体声录音技术在捕捉具有深度...
作者:Jon Musgrave出处:https://www.musicradar.com/how-to/brilliant-aux-effect-chains-to-enhance-your-mixes译者:安小匠辅助通道(auxiliary channels...
作者:Mike Senior出处:https://www.soundonsound.com/techniques/how-and-when-use-multiband-compression译者:安小匠相较于宽带压缩器(broadband comp...
作者:Jon Musgrave出处:https://www.musicradar.com/how-to/pan-properly译者:安小匠声像(Panning)是立体声和多声道混音的关键组成部分,它使我们能够控...
本文综合编译自以下两篇文章:What is Spring Reverb & How Does It Work?,作者:Tyler Connaghan,出处:https://emastered.com/blog/spring-reverbWh...
作者:Jon Musgrave出处:https://www.musicradar.com/how-to/inserts-vs-auxiliaries译者:安小匠 当我们在混音中使用插件时,要么是用处理过的信号替换输...
作者:Sara Simms出处:https://www.musicradar.com/how-to/mid-side-eq译者:安小匠中侧均衡处理让制作人能够以远超传统立体声处理的方式进行混音塑形。用...
作者:Tyler Spicer出处:https://sonicscoop.com/dont-you-dare-go-past-3db-pushing-the-boundaries-of-whats-allowed-in-music-production/译者:安小匠...